© 2015, Greg Lessard
Like English, French has the ability to combine simple sentences together into a larger sentence. There are two principal ways of doing this. In one, two or more sentences are attached together with punctuation like a comma, a semi-colon or a colon, and the resulting unit is ended by a period, question mark, or exclamation mark. This is called a compound sentence. To see an example, consider this image:
Notice that each of the simple sentences (Pierre est parti and il était malade) can stand alone as a sentence. However, when attached together in a bigger sentence, they give us the sense that the two simple sentences are related. Here, we can assume that it is because he was sick that Pierre left, but it is up to us to decide how the two sentences are related. Consider, for example, the following sentences. Try to determine the nature of the relation between the two sentences, then mouse over each to check your understanding.
It is also possible to use a conjunction to make explicit the nature of the relation between the two simple sentences in a compound sentence, as the following example shows:
Here, parce que makes it clear and explicit that it is because of being sick that Pierre left.
French possesses a variety of conjunctions. Study the following table and try to memorize as many of these conjunctions as possible. Fortunately, all of them are invariable so you don't need to learn more than one form.They recur frequently and you will need them to analyze compound sentences.
Conjunction | Meaning | Example |
---|---|---|
et | 'and' (either a sequence or a combination) | La porte est fermée et la fenêtre est ouverte. |
ou | 'or' (to present a choice) | Pars ou reste. |
parce que | 'because' (to show that the second element explains the first) | Le gouvernement est tombé parce qu'il a perdu l'élection. |
mais | 'but' (to present an opposition) | J'aime le café mais il m'empêche de dormir. |
donc | 'therefore/so' (the second sentence is the consequence of the first) | Je pense donc je suis. |
car | 'since' (the first sentence is the consequence of the second) | Je mets un manteau car il fait froid. |
In the examples we have seen, all of these conjunctions fit between the two sentences. Some, however, may occur before the first sentence, as the two following examples show:
Conjunction | Meaning | Example |
---|---|---|
puisque | 'since' (because of the first sentence, the second is true) | Puisqu'elle est malade, elle ne peut pas aller au concert. |
ou...ou | 'either...or' (to present a choice) | Ou tu pars ou tu restes. |
Puisque can also occur between sentences, as in Elle ne peut pas aller au concert puisqu'elle est malade.
It is important to practice the use of conjunctions, first by finding them, then by determining the nature of the relation that they produce between two sentences. To help with this, mouse over the following short story to find the conjunctions. If you are correct, the conjunction will turn red. Mouse over the simple sentences and try to determine the nature of the relation provided by the conjunction.
Il fait chaud et je ne dors pas. Je bois un verre d'eau car j'ai soif mais cela n'aide pas. Puisque les autres dorment toujours, je quitte la maison. Je ne sais pas quoi faire. Ou je vais au restaurant ou je prends un bain. Je prends une lampe de poche parce qu'il fait noir. Je marche dans la forêt et j'entends le bruit des feuilles. J'entends le vent donc la pluie va venir. Je rentre à la maison.
In the examples we have seen so far, conjunctions have been used to connect simple sentences. But for many conjunctions, their role can go farther and they can connect two items belonging to the same class among many. Here are a few examples for :
Conjunction | Context | Example |
---|---|---|
et | between two noun groups | le chat et le chien |
et | between two verb groups | Nous avons marché et parlé. |
et | between two prepositional groups | dans la cuisine et sous la table |
et | between two adjective groups | un livre bleu et vert |
et | between two adverbial groups | Elle a conduit rapidement et prudemment. |
When you are reading a passage, begin by finding the conjunction. Then look to the left and right to determine what kind of structures are being linked (sentences, noun groups, etc.) and then try to determine the meaning of the complex structure built around the preposition.
Another way of combining simple sentences in French is to have one sentence act as the principal clause and the other as the subordinate clause. The following image illustrates this:
Let us think about how this works. The principal clause says that I believe something. But what? It is that Pierre is ill. Pierre est malade takes the place of the object of the verb. The link that makes this possible is the relative pronoun que. In other words, rather than being at the same level, one sentence fits into another.
Consider another example:
Here, the sentence qui était sur la table tells us something about the book (that it was on the table). The principal clause here could stand by itself (J'ai acheté le livre). On the other hand, était sur la table isn't a full sentence: it's missing a subject. Where is the subject? In fact, it's there in both le livre (think about le livre était sur la table), and in the qui, equivalent to which or that in English.
French has a number of relative pronouns, as the following table shows. As in the case of conjunctions, take some time to memorize them since they will be crucial in what we will see later. All of them serve to attach a subordinate clause to some element of a principal clause.
Relative pronoun | Function | Example |
---|---|---|
qui | an element of the principal clause is the subject of the subordinate clause | La fille qui a gagné le prix venait du Canada. |
que | an element of the principal clause is the direct object of the subordinate clause | Voici le chien que j'ai acheté. |
dont | an element of the principal clause is the indirect object of the subordinate clause | Voici le chien dont j'ai parlé |
Let us look at these examples in a bit more detail, beginning with the first one: La fille qui a gagné le prix venait du Canada. The qui here acts as a bridge between two things: the noun group la fille and the subordinate clause X a gagné le prix, where X is the understood subject who won the prize. We can represent this graphically like this:
In other words, the subordinate clause qui a gagné le prix modifies la fille, much like an adjective would (think of la fille intelligente).
Now let us turn to the second example above: Voici le chien que j'ai acheté. The relative pronoun que here is the sign that le chien is the direct object of the subordinate clause, as the following image shows:
The X in the image shows the place of le chien in the structure of the subordinate clause.
The distinction between qui and que here is like the now-disappearing distinction in English between who and whom. English increasingly uses that in both cases: The girl that won the prize was from Canada/Here is the dog that I bought. In French, however, as we have seen, the difference between qui and que has a huge effect on the meaning, so when you come upon forms like these, ask the following questions:
We saw earlier that along with direct objects like chien in je vois le chien, there are also indirect objects, attached to the verb by a preposition, as in je donne le livre à Marie, where à Marie is the indirect object. It is possible to have complex sentences based on indirect objects as well.
Imagine the situation where I have some apples and I put them in a bag. The focus of my attention is primarily the apples when I say: J'ai mis les pommes dans le sac. But what if I want to talk about the bag rather than the apples? There is a complex structure for that, as the following image illustrates:
We can do the same thing in English when we say Here is the bag I put the apples in, except that there is no form to show the relation, just the order of the words.
French can produce a complex sentence with almost any combination of preposition and object, as the following examples show. To get a sense of this diversity, read the following examples and try to determine their meaning. Then mouse over the sentences to check your understanding.
Notice a couple of important things here. First, the relative pronoun agrees in number and gender with the noun phrase it modifies. So we write dans laquelle after la poche, but sous lequel after le pont. The following table summarizes the forms most frequently found. Try to memorize these forms, because they will recur often in any reasonably complex text.
Form | Notes | Example |
---|---|---|
lequel | Masculine singular | le livre dans lequel j'ai laissé la note |
laquelle | Feminine singular | la table sur laquelle j'ai mis le livre |
lesquels | Masculine plural | les amis sur lesquels on peut compter |
lesquelles | Feminine plural | les avenues sur lesquelles vous marchiez |
There are also some contracted forms used when lequel or one of its variants is combined with the preposition à or de, as the following table shows:
Form | Notes | Example |
---|---|---|
auquel | à plus lequel | l'ami auquel je pense |
auxquels | à plus lesquels | les amis auxquels je pense |
auxquelles | à plus lesquelles | les amies auxquelles je pense |
duquel | de plus lequel | l'ami duquel j'ai la photo |
desquels | de plus lesquels | les amis desquels j'ai les photos |
desquelles | de plus lesquelles | les amies desquelles j'ai les photos |
Finally, there is the form dont, which can replace duquel, desquels, de laquelle, desquelles, as the following examples show:
As we noted earlier, when you see one of these relative pronouns in a text, use gender and number agreement to find which noun group on the left it is attached to, and then look to the right to see what information is being provided about the noun group.
Usually when we use language to talk about the world, we assume that the things we talk about are real, either physically, or mentally, or in some fictitious world. Even when we use negation, we are saying that something is really not the case. And when we use the future or conditional tense, we are conjecturing that some real state of affairs may exist. All of these forms represent what is known as the indicative mood.
However, in opposition to this indicative perspective, many languages, including French, provide a means of signalling that some state of affairs isn't real. In French, this is called the subjunctive mood. It is marked by a particular set of verb endings. To better grasp the difference between the two, consider the following sentences:
Example | Mood | Meaning |
---|---|---|
Je sais que vous avez tort. | Indicative | I have knowledge that it really is the case that you are mistaken |
Je ne sais pas si vous avez tort. | Indicative | It is the case that you are mistaken or not, but I don't know which |
Je me demande si vous avez tort. | Indicative | You are mistaken or not, but I am wondering which is true |
Je crains que vous ayez tort. | Subjunctive | I worry about your possible mistakenness, but I can't be sure of its reality |
Il est possible que vous ayez tort. | Subjunctive | Your being mistaken is one possibility among many; it is not clear which is real |
Je doute que vous ayez tort. | Subjunctive | I have my doubts about the reality of your mistakenness |
Notice the difference of form in the last three, subjunctive, examples. Instead of avez, we find ayez. When looking for the subjunctive, the form of the verb provides one of the clues. The other clue is provided by the structure of the sentence, as we will see below.
Some parts of language learning require memory. Some forms of the subjunctive fall into this category, as the following table shows. These are the most frequent irregular verbs in French, in their subjunctive forms. Concentrate on the variations in form, and try to commit their forms to memory. When looking at the glosses, you will note that English has retained a few special forms for the subjunctive (as in should you be), but that even these are disappearing. On the other hand, the subjunctive is alive and well in French.
être | avoir | faire | dire | aller |
---|---|---|---|---|
que je sois | que j'aie | que je fasse | que je dise | que j'aille |
que tu sois | que tu aies | que tu fasses | que tu dises | que tu ailles |
qu'il soit | qu'il aie | qu'il fasse | qu'il dise | qu'il aille |
qu'elle soit | qu'elle ait | qu'elle fasse | qu'elle dise | qu'elle aille |
que nous soyons | que nous ayons | que nous fassions | que nous disions | que nous allions |
que vous soyez | que vous ayez | que vous fassiez | que vous disiez | que vous alliez |
qu'ils soient | qu'ils aient | qu'ils fassent | qu'ils disent | qu'ils aillent |
qu'elles soient | qu'elles aient | qu'elles fassent | qu'elles disent | qu'elles aillent |
Among the more regular verb classes, the subjunctive is formed in a variety of ways. The following table shows some of these, but you should note that some verbs ending in these forms use still other endings for the subjunctive. Treat what follows as a guide.
Form | -er verbs | -ir verbs | -re verbs |
---|---|---|---|
First person singular (je) | que je chante | que je remplisse | que je prenne |
Second person singular (tu) | que tu chantes | que tu remplisses | que tu prennes |
Third person singular (il/elle) | qu'il/qu'elle chante | qu'il/qu'elle remplisse | qu'il/qu'elle prenne |
First person plural (nous) | que nous chantions | que nous remplissions | que nous prenions |
Second person plural (vous) | que vous chantiez | que vous remplissiez | que vous preniez |
Third person plural (ils/elles) | qu'ils/qu'elles chantent | qu'ils/qu'elles remplissent | qu'ils/qu'elles prennent |
Notice several tendencies. First, the subjunctive will often follow que. Second, the subjunctive often resembles the indicative, but sometimes the imperfect, and sometimes it has its own form. So to find it, first look at the context of the verb, then the meaning of the expression, then at the ending to confirm. And as usual, the more forms you have committed to memory, the easier your task will be.
We noted above that the subjunctive is often associated with particular sentence structures. We will examine some of these here.
Structure | Example |
---|---|
Verb of opinion + subjunctive | Je doute que la neige soit partie. |
Verb of obligation + subjunctive | Il faut que la neige soit partie. |
Verb of desire + subjunctive | Je veux que la neige soit partie. |
Verb of thought in the negative + subjunctive | Je ne pense pas que la neige soit partie. |
Verb of thought in the interrogative + subjunctive | Espèrez-vous que la neige soit partie. |
There are a number of conjunctions that are followed by the subjunctive, as the following table shows. You should try to memorize these as they come up in written texts fairly frequently.
Meaning | Example |
---|---|
Hoped-for goal | Nous avons pelleté pour que la neige soit partie. Also: afin que, de peur que, de sorte que |
Restriction | Nous avons pelleté pour que la neige soit partie. Also: afin que, de peur que, de sorte que |
Condition | Nous avons pelleté à condition qu'elle nous aide. Also: pourvu que |
Temporal relation | Nous avons pelleté avant qu'elle se lève. Also: jusqu'à ce que, en attendant que |
Concession | Nous avons pelleté bien qu'il y ait beaucoup de neige. Also: quoique |
The subjunctive is used to talk about events seen as unreal. However, there is one circumstance when it isn't used, even if the event is unreal. That is the case when the same person is represented in the principal clause and in the subordinate clause. To see this, compare the following examples:
So, in the first sentence, the person who wishes for the departure is not the person who will be departing, and the subjunctive is used. However, in the second sentence, the person wishing is the same person who will be leaving and so the infinitive is used. A similar relation can be found in the third and fourth sentences.
Understanding the subjunctive takes practice. To begin to see how it works, read the following short passage and try to imagine the irreality behind the sentences in the subjunctive. Then, to check your understanding, mouse over the text. Sentences in the subjunctive will turn red.
Le débat sur l'énergie continue, mais il se peut que des solutions apparaissent. Il ne faut pas que les politiciens oublient leurs responsabilités. Il est certain que le pétrole va durer encore longtemps. Bien que cette ressource reste disponible, les études montrent clairement les effets des combustibles fossiles. Il est important d'investir dans les énergies renouvelables maintenant pour que notre avenir soit assuré.
We now have the means of talking about events in a much more subtle fashion, including describing situations in the past, conjecturing about the future, and thinking about possible states of affairs. Use this knowledge to read the following texts. Don't forget though to use the scaffolding we saw earlier:
Also, remember that you won't understand everything. Rome wasn't built in a day...
Reasons to like New York (from La Presse)
Des raisons d'aimer New York, Marie-Joëlle Parent en a plusieurs. Installée dans la métropole américaine depuis plus de six ans à titre de correspondante de Québecor Média, la journaliste vient de publier un guide qui regroupe 300 de ces raisons glanées au fil du temps.
Car New York, ce n'est pas seulement Times Square et Central Park. «Même si c'est un premier voyage à New York, il faut sortir du coeur de Manhattan, recommande Marie-Joëlle Parent. Ne mangez pas à Times Square ou dans la Petite Italie, ce sont des attrape-touristes! Il ne faut pas avoir peur de sortir des sentiers battus.»
D'où ce guide «non traditionnel» dans lequel la ville se laisse découvrir à échelle humaine, quartier par quartier. En l'écoutant parler avec enthousiasme de son New York, on croirait que Marie-Joëlle Parent relate son tour du monde. Ici, la journaliste se sent comme à Barcelone. Cette cour lui rappelle l'Allemagne; ce café, Los Angeles.
«C'est ce que j'adore de New York. Chaque quartier a son identité propre. Il y a 20 000 restaurants à New York et on peut chaque soir manger un plat d'une culture différente. C'est pour ça qu'on se sent à la maison à New York: c'est une terre d'étrangers.»
TranslationMarie-Joëlle Parent has many reasons to love New York. Located in the American metropolis for more than six years as a correspondent for Québécor Média, the journalist has just published a guide which brings together 300 of these reasons collected over the years.
Because New York is not just Times Square and Central Park. "Even if it's a first trip to New York, you must get out of the heart of Manhattan, recommends Marie-Joëlle Parent. Don't eat at Times Square or in Little Italy. They are tourist traps! You mustn't fear leaving the beaten path.
This is why she published this 'non-traditional' guide where the city can be discovered on the human scale, neighbourhood by neighbourhood. Listening to her speak with enthusiasm about her New York, you would think Marie-Joëlle Parent was describing a trip around the world. In this location, the journalist feels like she is in Barcelona. That square makes her think of Germany; that café of Los Angeles.
"It's what I adore about New York. Each neighbourhood has its own identity. There are 20,000 restaurants in New York and you can have a dish from a different culture every evening. It's because of that that one feels at home in New York: it is a land of foreigners.
The reader (from Marcel Pagnol, La gloire de mon père)
Le lecteur -- je veux dire le vrai lecteur -- est presque toujours un ami.
Il est allé choisir le livre, il l'a emporté sous son bras, il l'a invité chez lui.
Il va le lire en silence, installé dans le coin qu'il aime, entouré de son décor familier.
Il va le lire seul, et ne supportera pas qu'une autre personne vienne lire par-dessus son épaule. Il est sans doute en robe de chambre ou en pyjama, sa pipe à la main : sa bonne foi est entière.
Cela ne veut pas dire qu'il aimera ce livre : il va peut-être, à la trentième page, hausser les épaules, il va peut-être dire avec humeure : « Je me demande pourquoi on imprime de pareilles sottises ! »
TranslationThe reader -- I mean the real reader -- is almost always a friend.
He went to choose the book, he took it away under his arm, he invited it to his home.
He will read it in silence, settled in the corner that he loves, surrounded by his familiar decor.
He will read it alone, and will not tolerate that another person comes to read over his shoulder. He may be in housecoat or pyjama, his pipe close at hand : his good faith is absolute.
That doesn't mean that he will like the book: he may, at the thirtieth page, shrug his shoulders, he may say with irritation "I wonder whey they publish such stupidity!"
A description of Canadian Tire gift cards (source: Canadian Tire)
Achat de cartes-cadeaux en ligne
Le site Canadian Tire en ligne offre un moyen sécuritaire de magasiner en ligne. Pour acheter des cartes-cadeaux en ligne, cliquez sur Cartes-cadeaux dans la navigation à gauche. Sélectionnez les cartes-cadeaux désirées, indiquez la quantité dans le champ Quantité et cliquez sur AJOUTER AU PANIER.
Retour de cartes-cadeaux
Les cartes-cadeaux ne sont ni retournables ni remboursables. Elles ne sont échangeables que contre des marchandises ou des services dans un magasin ou poste d'essence Canadian Tire. Les cartes ne sont pas échangeables contre de l'argent et ne peuvent pas être utilisées pour le paiement d'un compte de carte de crédit de Canadian Tire.
Cartes-cadeaux pour les entreprises
Les entreprises peuvent commander en ligne un maximum de 500 $ en cartes-cadeaux.
TranslationOnline purchase of gift cards
The Canadian Tire website provides a secure means of shopping on line. To buy gift cards on line, click on Gift Cards on the left hand side of the page. Select the desired gift cards, indicate the quantity in the field Quantity and click on ADD TO BASKET.
Return of gift cards
Gift cards are neither returnable nor reimbursable. They may only be exchanged for merchandise or services in a Canadian Tire store or gas station. Cards are not exchangeable for money and may not be used to make payments on a Canadian Tire credit card.
Gift cards for corporations
Corporations may purchase online a maximum of $500 in gift cards.
You should now feel comfortable with the following concepts:
In the next module, we will move beyond the boundaries of the sentence and look at some of the devices French provides to create paragraphs and more complex texts.